Okay, I realize I haven't added any pictures of Darlene, fish, bikinis or various serpents, but the soul intent of this post was for my third passion....motorcycles. SCUBA and photography being the other two.

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C R Albritton

In my hotel room, I was watching the Will Smith movie, Legend. There was very little light except for the glow from the laptop screen and just a narrow shaft of light that made it's way across the bed through the partially drawn curtains. The air conditioner was set low and the air was crisp. Condensation had formed droplets of water on the outside of the single large pane causing an eery distortion that prevented clear vision through the haze and I could see no defined objects, buildings or trees.
With the light green glow of a street light filtering through the window, in that short moment, probably five seconds, I struggled mentally just to remember where I was. Where was I? Hawaii? Minnesota? California,? Winter? Summer? No, St Augustine, Florida in mid August, but for five very long seconds I was disoriented and had no clue. Five seconds to decide if I was in familiar surroundings; five seconds to determine if I was safe, well, in a welcomed place or even what planet I was on.
Five seconds is a long time.
Last week, my son dropped by a Baton Rouge Po-boy establishment to grab a couple of sandwiches. As he entered the shop, he noticed the sign on the glass. "Attention!!! All extra salad dressing and sauces (and gravy) will cost an additional 30 cents - Sorry for the Incontinence - Management".
Oh, wait a minute. That's not a bat, actually. In fact, when you trace the outline with your finger, it looks kind of like . . . a "W."
There seems to me no question that the Batman film "The Dark Knight," currently breaking every box office record in history, is at some level a paean of praise to the fortitude and moral courage that has been shown by George W. Bush in this time of terror and war. Like W, Batman is vilified and despised for confronting terrorists in the only terms they understand. Like W, Batman sometimes has to push the boundaries of civil rights to deal with an emergency, certain that he will re-establish those boundaries when the emergency is past.
And like W, Batman understands that there is no moral equivalence between a free society -- in which people sometimes make the wrong choices -- and a criminal sect bent on destruction. The former must be cherished even in its moments of folly; the latter must be hounded to the gates of Hell.
"The Dark Knight," then, is a conservative movie about the war on terror. And like another such film, last year's "300," "The Dark Knight" is making a fortune depicting the values and necessities that the Bush administration cannot seem to articulate for beans.
Conversely, time after time, left-wing films about the war on terror -- films like "In The Valley of Elah," "Rendition" and "Redacted" -- which preach moral equivalence and advocate surrender, that disrespect the military and their mission, that seem unable to distinguish the difference between America and Islamo-fascism, have bombed more spectacularly than Operation Shock and Awe.
Why is it then that left-wingers feel free to make their films direct and realistic, whereas Hollywood conservatives have to put on a mask in order to speak what they know to be the truth? Why is it, indeed, that the conservative values that power our defense -- values like morality, faith, self-sacrifice and the nobility of fighting for the right -- only appear in fantasy or comic-inspired films like "300," "Lord of the Rings," "Narnia," "Spiderman 3" and now "The Dark Knight"?
The moment filmmakers take on the problem of Islamic terrorism in realistic films, suddenly those values vanish. The good guys become indistinguishable from the bad guys, and we end up denigrating the very heroes who defend us. Why should this be?
The answers to these questions seem to me to be embedded in the story of "The Dark Knight" itself: Doing what's right is hard, and speaking the truth is dangerous. Many have been abhorred for it, some killed, one crucified.
Leftists frequently complain that right-wing morality is simplistic. Morality is relative, they say; nuanced, complex. They're wrong, of course, even on their own terms.
Left and right, all Americans know that freedom is better than slavery, that love is better than hate, kindness better than cruelty, tolerance better than bigotry. We don't always know how we know these things, and yet mysteriously we know them nonetheless.
The true complexity arises when we must defend these values in a world that does not universally embrace them -- when we reach the place where we must be intolerant in order to defend tolerance, or unkind in order to defend kindness, or hateful in order to defend what we love.
When heroes arise who take those difficult duties on themselves, it is tempting for the rest of us to turn our backs on them, to vilify them in order to protect our own appearance of righteousness. We prosecute and execrate the violent soldier or the cruel interrogator in order to parade ourselves as paragons of the peaceful values they preserve. As Gary Oldman's Commissioner Gordon says of the hated and hunted Batman, "He has to run away -- because we have to chase him."
That's real moral complexity. And when our artistic community is ready to show that sometimes men must kill in order to preserve life; that sometimes they must violate their values in order to maintain those values; and that while movie stars may strut in the bright light of our adulation for pretending to be heroes, true heroes often must slink in the shadows, slump-shouldered and despised -- then and only then will we be able to pay President Bush his due and make good and true films about the war on terror.
Perhaps that's when Hollywood conservatives will be able to take off their masks and speak plainly in the light of day.
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Mr. Klavan has won two Edgar Awards from the Mystery Writers of America. His new novel, "Empire of Lies" (An Otto Penzler Book, Harcourt), is about an ordinary man confronting the war on terror.

Unexpected problems with Boudreau cost me a couple of days with motorcycle parts laying all over Gary's ( my brother-in-law ) carport. Wrenching isn't my second nature and my hands are still sore from dismantling and repairing the Harley. You'd think it would be possible to remove a starter solenoid without taking everything off except the engine and transmission ...... but, noooooo.
To make sure Boudreau was running fine, I road back up to Baton Rouge to enjoy reading a bedtime story to Henry. I'm gone so much, I almost have to reintroduce myself each time i come home. It's getting easier each time and can see his acceptance groups expanding.
Thursday morning, I loaded up a minimum of clothes and necessities and pointed my chin north for a few days with my mother, brother and a son and his family before I rented a car to head on over to Bossier. After crossing the Mississippi River, I checked my messages and found out my direction would have to change the next Monday.
Arriving in Swartz, I laid over a few hours to watch my grandson, Devin, practice Karate before going on northwest to Farmerville to see my mother.
I spent the night with my mother and on Friday, fixed the hot water heater and visited with my brother some while I used his phone and computer to work out planes, hotels and car rentals for my changed assignment in St Augustine, Florida.
With new directions in mind, I headed back south Friday Afternoon to spend the night with Darren & family and Darlene. Late Saturday morning, we gathered at the Monroe Children's Museum where we had a small birthday party for Hagan.
By 2 PM, I was on the road headed south through Natchez, Mississippi again so i could get back home to change the way I was packed. Monday morning, I'll be on a plane for Florida.